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September 2, 2017 - September 8, 2017


    • Dates: 2-8th September 2017
    • Duration: 6 nights / 7 days
    • Location: Harris / Lewis
    • Start/Finishes: Inverness
    • Comfort: Classic
    • Difficulty: Moderate
    • Price: £1750


  • Spend six days developing your photography skills with Colin Prior
  • Private en-suite accommodation at the comfortable Harris Hotel
  • Dusk and dawn photography in some of the most iconic locations in the Hebrides
  • Tutorials and critique sessions with individual feedback on each participants work
  • Workshop restricted to nine clients plus Colin and assistant


Easy straightforward hiking generally over good trails with no major ascents. The days are fairly leisurely and we spend about 5-6 hours outdoors. Terrain is mainly on paths or hill trails which may be muddy underfoot in places. Daily walks are mainly glens or coastal hikes with some ascents.


Based at the Isle of Mull Hotel and Spa near the ferry terminal, the hotel itself lies on the crescent of Craignure Bay. All guests will have private accommodation with en-suite facilities and a guaranteed sea-view. Breakfast, packed lunches and evening meals are included throughout. To ensure variety we will enjoy three nights on a six-course taster menu in the restaurant, 1 steak night, and two nights eating in the bar lounge with a choice from the bar menu or the specials board.


  • Six nights accommodation in the comfortable Harris Hotel in Tarbert.
  • Each client will have private accommodation with en-suite facilities.
  • Breakfast, packed lunches and evening meals are included throughout.
  • Personal tuition, critique sessions and tutorials.
  • All transport (including ferries) during the trip, starting and finishing in Inverness.


Stretching away for endless leagues, Harris is home to the tireless spirit of the Atlantic. The light, endlessly changing, can plunge a landscape into deep shadow and as quickly transform it into one of luminance in colours that range from turquoise, opal, cobalt blue to amethystine. When I once remarked on this to a local, he replied ‘Aye son, it’s where God washed out his paintbrush.’

Our base at Harris Hotel in Tarbet is ideally situated for easy access to the white sandy beaches and headlands of Harris and Lewis. Throughout the workshop there will be opportunities to shoot at dusk and dawn with sunset offering the greatest opportunities. Tutorials, individual feedback and a group critique are all included in the itinerary.

Traigh Rosamol Sound of Taransay, Harris by Colin Prior


Below is a typical itinerary, which inevitably will change to take advantage of the optimum weather conditions each day. An up to date forecast will be studied and the most suitable location chosen for that day. 

Day 1 – Pickup and Tarbet

Colin will meet you underneath the main display board in the arrival hall at Inverness Railway Station at 8.00 a.m. on Saturday morning. Inverness is a small station so it will be easy to identify Colin. On the final day of the workshop we will return you to Inverness Railway Station at 6.00 p.m.
After the group has met, we will drive to Ullapool and board the ferry to Stornoway departing at 10.30 a.m. which arrives at 13.00 p.m. We will then continue onto the Harris Hotel in Tarbet and after checking in we will head out onto location.

Day 2 – Losgaintir and Traigh Rosamol

Luskentyre Sands and Traigh Rosamol offer extensive vistas across white shell sands and dunes towards Taransay and the Forest of Harris.

Day 3 – Traigh Scarasta and Scalpay

Exposed to the wild and windy plains of the Atlantic, Traigh Scarasta is renowned for big swells that manifest themselves in huge waves which break on the white sands. Further south, the island of Scalpay is connected to Harris by a causeway which gives us access to the Heritage Trail.

Day 4 – Huishnish and Loch Cravadale

The journey west past Amhuinnsuidhe Castle takes us to the road end. From here we will follow a cliff path over to the remote beach of Traigh Mheilein and the Sound of Scarp. To the east, Loch Cravadale is set against a mountainous backdrop where golden eagles can be seen.

Day 5 – Callanish and Traigh Dhail Mhor, Lewis

Dating back to around 3000bc, the Callanish Stones are part of a megalithic complex that were associated with celestial observations and lunar cycles. There are 13 primary stones which form a circle with an additional monolith at the centre. Facing north-west, Traigh Dhail Mor is a secluded beach backed by dunes and exposed to Atlantic swells.

Day 6 –  Mangersta and Traigh Nisabost

Cut from Lewisian gneiss, the cliffs and sea stacks of Mangersta have created one of the most spectacular stretches of coastline in Lewis. Overlooking the Sound of Taransay, Traigh Nisabost is often seen in a palette of soft muted colours, whilst under clear skies as a landscape of stark contrasts.

Traigh Scarasta, Sound of Taransay, Isle of Harris, Western Isles, Scotland

This trip starts and finishes in Inverness. For train timetables, costs and reservations follow these links:


Colin will meet you underneath the main display board in the arrivals hall at Inverness Railway Station at 8.00 a.m. on Saturday.

At the end of the workshop on Friday, we will return you to Inverness Railway Station at 6.00 p.m.


The trip price is £1750 per person. Group size is limited to 7 clients and this ensures that Colin can give a one-to-one tuition and a critique sessions.


  • Transport to and from the workshop start/end points
  • Travel insurance and personal equipment
  • Meals not mentioned in the itinerary
  • Alcohol and soft drinks, laundry
  • Gratuities
  • Any other items not mentioned as included

The ability to respond to Scotland’s changeable weather with appropriate clothing will enhance your enjoyment. The key is to bring comfortable clothing, which will maintain your body temperature under a variety of weather conditions.

If you are at all susceptible to the cold, a down jacket or windproof fleece is the most effective way to keep warm and can quickly change your mental outlook.

  • Lightweight boots
  • Waterproof jacket and trousers
  • Hat for sun protection or warmth
  • Casual clothes for evening wear
  • Personal wash kit
  • Head torch
  • Optional: sunglasses, sunscreen, and lip salve

Cameras – Camera equipment is very much a personal choice and is dependent on individual preference, budget, and experience. Whether you shoot with a 35mm DSLR or a mirror-less system is unimportant. What is important however is that you are familiar with your camera’s layout and menu structure and understand the differences between the shooting modes.

Camera bag – bring a camera bag that allows you to comfortably carry your equipment over rugged terrain. Backpacks distribute the weight between your shoulders and hips making walking much easier than a bag with a shoulder strap and are normally protected from wind and rain.

Tripod – the ideal tripod needs to be light enough to carry comfortably but sufficiently robust to be used in winds. A tripod engenders a more contemplative approach to the photography and allows the use of slower shutters speeds. A wide range of models are available from Manfrotto and Gitzo and for more advanced photographers, carbon fibre tripods offer a lighter weight solution but essentially do the same job as those made from aluminum.

Lenses – like cameras, these come down to personal choice and will be determined by the type of subject matter normally pursued. Many photographers choose two zoom lenses; a 24-70mm and a 70-200mm, which will account for 90-95% of the images taken with only two lenses. Another popular combination is 24-105mm and 100-400mm. Some photographers prefer to work with prime lenses which offer improved performance at their designated focal lengths which means carrying more lenses and accordingly more weight. If the intimate landscape interests you, a 100mm Macro lens can be ideal.

Filters – many photographs find it difficult to shoot an image without some sort of filter. A filter needs to add value and if it isn’t then you are potentially degrading the image by placing a sheet of resin in front of your lens. The most commonly used filters in digital photography are graduated neutral density filters. These differ from neutral density filters in that they allow you to control contrast locally. They come in a variety of densities and gradations but in my experience, the most useful are a 0.6 soft and 0.6 medium gradation. Several brands of ‘grads’ are available but by far the best are manufactured by Lee Filters. They also offer a professional filter holder which allows the gradation to be moved within the holder, relative to the scene.

You may find a polarising filter desirable, although personally, I dislike the artefacts that it creates within an image and most what it achieves can be replicated in Lightroom more naturally. Some photographers favour Lee’s ‘Big Stopper’ which increases the exposure by 10 stops and transforms water and clouds into amorphous forms.

Backup and storage – Ensure that you have adequate memory cards and a means of backing up your work, either on a laptop, iPad or supplementary hard drive. Bringing your own laptop will allow you to see what you have shot each day and will facilitate critique sessions.

Remote release – essential to eradicate camera shake when the camera is mounted on a tripod.

Spare batteries – bring extra batteries for backup.

Lens cloth – a lens cloth is useful for removing rain.


We accept bookings online, by phone and post. Booking online is straight forward and enables us to confirm your reservation immediately. Before booking, it is important that you read the relevant Trip Dossier and our Booking Terms and Conditions. If you have any doubts regarding your suitability for a trip, please contact us.

To book online, simply click the relevant link from the trip page on our website. You will then be asked to complete the online booking form and proceed to payment. All payments made are directly through Worldpay in a totally secure environment.

For online bookings we accept payment by Maestro, Visa Electron, Visa Debit and Solo debit cards or Visa/Mastercard/American Express credit cards. Please note that there is no charge for payment by debit card but a 2% surcharge for payment by credit card. A deposit of 25% is required at the time of booking unless you are booking less than 56 days before departure. In this case, full payment of the trip price is required.

Should you prefer, you can call us with your reservation and card payment. This will enable us to confirm your place although, in all cases, we require a completed booking form (either online or by post) with details of all persons travelling. If booking by post, we accept all of the above payment methods plus cheque or bank transfer. If booking online we will confirm your booking immediately, including a copy of the Trip Dossier and an invoice for payment of the balance. If booking by any other method, we will confirm your booking within seven days of receipt.


It is a condition of booking that you are insured against medical and personal accident risks. This must include cover for the activities to be undertaken during the trip. We also strongly recommend you take out cover for cancellation and curtailment and baggage cover. We work with and recommend Campbell Irvine Insurance whose policies are specially designed for adventure holidays and are underwritten by AXA Insurance.

Insurance can be arranged directly at Campbell Irvine.


September 2, 2017
September 8, 2017


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Harris 2017-09-02
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£ 1,750.00
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